Joshua
Hammerman, a rabbi writing for the Times of Israel suggests a Joscars category
for film awards. “The criteria for a Jos-car nomination is simple: the Jewish
aspect of a film can include Jewish subject matter, Jewish values, or Jewish
participation.” Then he admits its not really necessary because “With these
criteria, you can find something “Jewish” in almost every film.” So does this
mean the Jews control Hollywood?
Every film? Jewish? This brings to mind the
classic anti-Semitic claim that “the Jews own Hollywood.” Of course that is
ridiculous, but not for the reason you might think. If the claim is that
Jews are significantly represented at all levels in the production and
dissemination of culture, which includes movies, books, music, drama, journalism,
dance, the visual arts and the humanities, my response is “guilty as charged.”
He mocks those involved in less
important roles in the film industry.
Incidentally, have you noticed just how many
gaffers, grips and best boys are Jewish? Neither have I.
The implication here is that “best
boy” might as well be called “best goy”. We get the goy to do all the menial
jobs, while we Jews do everything important, haha!
Those who subscribe to grand Jewish conspiracy
theories are typically those who have the least familiarity with real live
Jews. The ADL’s Global survey of 100 nations discovered that people living in
countries with larger Jewish populations are less likely to hold anti-Semitic
views than people living in countries with smaller Jewish populations. The same
is true of places in America. It’s true with other groups too: familiarity
reduces bigotry. In this case, absence makes the heart grow hateful.
Or to put it another way, people in
countries without large Jewish populations are most likely to hold anti-Semitic
views because Jews have not established a dominating influence in their
culture, politics or media and used that influence to pump out philosemitic
propaganda and marginalise anyone who challenges their agenda by pointing out
the truth. They are able to accurately perceive the facts, free of Semitic
filtering.
The rabbi then boasts of how Jewish
domination of the instruments of cultural production prevents European patriots
achieving their goal of preserving the existence of European peoples.
But I will say this — proudly. The influence
of Jewish values, those principles Jews have long held sacred, has been most
profound on the American cultural scene.
…These values, which are neither exclusively
left nor right, but Jewish through and through, include humility, love and
freedom and dignity. They clash markedly against the “values” of the
“traditional” anti-Semite, who, as defined by the US Holocaust Memorial Museum,
tends to be xenophobic, anti-intellectual, populist, racist, brutish and, if
unchecked, ultimately genocidal.
And here’s the rub — the part that drives
anti-Semites absolutely bananas. The influence of popular culture, in the US
and throughout most of the world, continues to be far, far more pervasive than
that of any government or branch of government. When Chief Justice Roberts (who
is decidedly not an anti-Semite) wrote about the “undeniable appeal” of
arguments of social fairness and equality in the 2015 same-sex marriage case,
he was speaking of the undeniable influence of TV programs like “American
Family” and current films like “Loving,” whose influence on the culture
continue to be profound.
So when anti-Semites say “The Jews
control Hollywood,” or “The Jews control the media,” they are really cursing
the fact that their agenda can never achieve the ultimate triumph they seek
until the instruments of culture are co-opted. And, yes, I can proudly say that
Jews are continuing to hold up our end of the bargain, not by owning Hollywood,
or by propagating any particular agenda, but by driving haters crazy.
Another story in the Times of Israel
tells of how Jewish Hollywood mogul, Arnon Milchan (12 Years a Slave), has been
involved in supplying Netanyahu with cigars and Israel with weapons. And some
other Hollywood Jews have also apparently been involved in helping Israel over
the years.
Peres, who was president at the time, said he
recruited Milchan. “Arnon is a special man. It was I who recruited him … when I
was at the Ministry of Defense. Arnon was involved in numerous defense-related
procurement activities and intelligence operations,” said Peres.
Milchan also said he tried to get other
Hollywood figures involved in his clandestine work, notably the late director
Sydney Pollack. Pollack was allegedly involved in buying arms and military
equipment for Israel during the 1970s and, according to Milchan, knew just what
he was getting into. “Pollack knew, but I didn’t want to scare him because he’s
American… He could have said ‘no,” Milchan said. “He said ‘no’ many times, but
he also said ‘yes’ many times.”
He used Hollywood pull to lure a “US
nuclear scientist” to a private meeting. What tribe was this scientist a member
of? We can only speculate.
Milchan, who is part-owner of Israel’s Channel
10 television company, also admitted trying to use an unnamed big star to
entice a US nuclear scientist to a private meeting in the actor’s house,
although the interview didn’t clarify if the rendezvous ever took place. A
number of actors feature in the Channel 2 documentary, including Russell Crowe,
Ben Affleck and Robert De Niro, who is a personal friend of Milchan’s. De Niro
told Dayan that he had heard things about Milchan; however nothing that was
ever confirmed. “I wasn’t sure,” he said.
What was the purpose of this meeting
with a scientist? No doubt obtaining classified information that would be of
benefit to Israel.
Two years ago, authors Meir Doron and Joseph
Gelman published a book titled “Confidential: The Life of Secret Agent Turned
Hollywood Tycoon Arnon Milchan,” in which they asserted that Milchan was acting
for Israel’s now defunct Bureau of Scientific Relations, known as Lekem. The
clandestine bureau focused on obtaining information for secret defense programs
that reputedly included Israel’s rumored nuclear weapons research and
development program. The bureau was disbanded in 1987 after US Navy specialist
Jonathan Pollard was caught spying for Israel.
So Milchan was involved with an
Israeli agency that inveigled American Jews into committing treason against
their “own country”. This is the same guy who produced 12 Years a Slave, a film
that pushes the Blame Whitey slave narrative which stigmatizes Europeans and
incites African-Americans to hate European-Americans.
No comments:
Post a Comment